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Into Eternity
Into Eternity
Interview With Michael Madsen
Snap
Snap
Interview With Carmel Winter
Streetball
Streetball
Interview With Demetrius Wren and Thapelo Kalpens
Celluloid Soilders
Celluloid Soilders
Interview With Michael Birdwell
Arias With A Twist
Arias With A Twist
Interview with Joey Arias, Basil Twist and Bobby Sheehan
In Praise of the Short FIlm
In Praise of the Short FIlm
The Pacific
The Pacific
Open House
Open House
Roundtable and Interview with Andrew Paquin
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MEDIA
MURMURS

MEDIA MURMURS

  RADICAL APPROACHES  to the COMPLEXITIES of Today's Film and Media, with Special Interest in  POLITICS, PREJUDICE and  FEMINISM.

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New York Indian Film Festival 2014

Drake Stutesman

 

The 14th year of this energized film festival, as always, brings out modern and ancient India, and its roots, neighbors and Diaspora. The festival, with many features, documentaries, seminars, interviews and premieres, this year offers work from Pakistani, Sri Lankan, and Nepalese directors as well as films from regions of the Indian sub continent and from those living abroad.

 

 

 

Some films to see:

Ugly

Dir: Anurag Kashyap

India, 2014

Hindi with English subtitles

Starring: Rahul Bhat, Abir Goswami, Sandesh Jhadev, Siddhant Kapoor

 

 

 

Director Anurag Kashyap, also a screenwriter and producer, is drawn to hard topics about India, including his 2004, Black Friday, about the bombings in Mumbai in 1993. Kashyap’s Ugly, seeming a police procedural, is also, as the title tells us, about reality that has no easy name. It is basic, ugly, terrifying. Ugly tells a story of a child’s disappearance, by focusing on the fraught relationships between the men and women who look for her - her mother, step-father, father, his girlfriend and more. The mother is imprisoned, virtually, in a marriage to an enraged police chief, a violent man who was once bullied by the child’s narcissistic father. Each one, it is revealed, has complicated feelings about the loss of the child. Though Kashyap tells the story as a thriller, in chalky, darkened pastel-hued lighting and using a swiftly moving cut-up method that reveals the story in pieces, the film is also a scathing commentary on modern India’s politics, in which violence, sexual slavery, poverty and human degradation seep into every part of life and very part of current capitalism. 

 

This is strong film and a good choice to open the NYIFF. 

Well worth seeing.

 

 

 

The Unseen Sequence

Dir: Sumantra Ghosal

India, 2013

98 min., In English

 

 

 

This documentary, directed by Sumantra Ghosal, who began his career in advertising, focuses on the dancer Malavika Sarukkai. Having trained for years in the ancient dance form, Bharatanatyam, Sarukkai has branched out into new modes of dance around these classic movements. 

 

A fascinating look, especially for those unfamiliar with Indian dance, at the core language of ancient Indian dances, how they underpin relationships with social ideas about gesture, and how they are re-interpreted today.

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