Framework 63.1&2 Now Available
The Spring/Fall 2022 issue of Framework, featuring dossiers Exquisite Historiography: Experimental and Collaborative Film Histories, and The New American Cinema Group in Europe: The 1960s Grand Tour and Its Afterlife guest-edited by Ronald Gregg, is now available to order via Wayne State University Press, here.
DOSSIER: Exquisite Historiography: Experimental and Collaborative Film Histories
Ragged Cinema: Twelve Theses on the Making of Comrades together-apart / Camarades junts-i-a-banda (Araüna Baró and David Archibald, Catalonia/Scotland, 2021) (with accompanying video)
Núria Araüna Baró and David Archibald
Textualizing YouTube: Cultivating Bonds of Community via an Online Collaborative Platform in Hong Kong
Ka Lee Wong
Commentary: Something Out of Nothing—Making Traffic in Kisses (with accompanying video)
Kiki Loveday and Susan Potter
Feminist Ironic Montage to Dismantle Gender Essentialism
Isabel Seguí and Marina Cavalcanti Tedesco
Inhabiting a Moth-Eaten Method
Anila Gill
The Life History of Juli Jones, Junior by William Foster
Allyson Nadia Field
A Montage of Surviving Images: Deportation footage in Varsovie, quand même . . . (1954) and Night and Fog (1956) (with accompanying video)
Matilda Mroz and Ivan Cerecina
Tales and Visions (video only)
MM Serra
Gauging Film History: An Exquisite Corpse
Ina Archer, Dino Everett, Marsha Gordon, and Martin Louis Johnson
DOSSIER: The New American Cinema Group in Europe: The 1960s Grand Tour and Its Afterlife
Guest Editor: Ronald Gregg
Introduction: The New American Cinema Group in Europe: The 1960s Grand Tour and its Afterlife
Ronald Gregg
Beyond the United States: Three Propositions Toward a History of New American Cinema’s Multiplicity of Sites in the 1960s
Faye Corthésy
“Without Jerome”: The Patronage of Jerome Hill and the Curating of 1960s American Experimental Work in Europe
Ronald Gregg
Underground Films in Factory Town: The New American Cinema Group Travels to Turin, Italy in 1967
Giaime Alonge
(Re)Discovering the Italian Reception of NAC Through the Archives of the Unione culturale
Claudio Panella and Silvia Nugara
Promoting and Curating US Experimental Cinema in Europe: “The Western American Experimental Film” Tour in 1963 and the New American Cinema
Miguel Fernández Labayen and John Sundholm
The Relationship between New American Cinema with the American and European Video Art Movement: A Flow of Ideas
Alessandro Amaducci
The Afterlife of New American Cinema: An Archival Perspective
Sabrina Negri
ESSAY: Exil and the Cinematic Mood of Racism
Olivia Landry
Read the full Editorial here.
