Framework 62.2 Now Available
The Fall 2021 issue of Framework, Film for the Future, guest-edited by Michelle Baroody and Maggie Hennefeld, is now available to order via Wayne State University Press, here.
FILM FOR THE FUTURE
Guest Editors: Michelle Baroody and Maggie Hennefeld
Michelle Baroody and Maggie Hennefeld
Introduction
Section 1: Conjuring Film for the Future: Archives and Histories
Sarah Keller
Islands in the Stream
Genevieve Yue
Nanook of the North’s Pasts and Futures
Jocelyn Szczepaniak-Gillece
Bombed Pasts, Burning Futures: Notes on Demolition and Exhibition
Mary Ann Doane and Doron Galili
Unreal Time: A Conversation on Film Theory, Media Historiography, and the Scales of Pandemic Catastrophe
Section 2: Virtual Bodies, Digital Platforms, Uncanny Experiments
Girish Shambu
Making a Home for Film, Making Film a Home: The Nomadic Cinephilia of Ruun Nuur
K. J. Relth-Miller
How Not to Disappear Completely: The Emergence of Underground Moving-Image Curation on Twitch
Alanna Thain and Dayna McLeod
Cinema’s Missing Bodies (with Laurent Lafontant of Massimadi Afro LGBTQ+ Film and Arts Festival, Bradford Nordeen of Dirty Looks, So Mayer of Club des Femmes, and Gary Varro of Queer City Cinema)
Peter Labuza
Under the Electric Cloud: Cinema at Paramount’s Twilight
Section 3: Film Festivals, Activist Curating, and Pandemic Collectivity
FIC-Silente Collective: Alejandra Calleja Toxqui, Roxana Hernández Martínez, Ana Gabriela Hernández Rodríguez, Rosa María Licea Garibay, Enrique Moreno Ceballos, Julio Cesar Quiterio Morales, Ana Belén Recoder López, Cecilia Ramírez Morales, Lluvia Soto Rodríguez, Laetitia Vigneron
Mexico Silent Film Festival’s Journey of Cultural Resistance: Tracing a Path of Community Survival
Michelle Baroody and Alison Kozberg
The Politics of Collective Programming and the Virtual Arab Film Festival
Umayyah Cable
Cinematic Activism: Grassroots Film Festivals and Social Movements in Pandemic Times
Vivian Hua 華 婷 婷
Art-house Cinemas as Sites of Resistance: From “Safe Space” to “Safe House”
Read the full Introduction, “Film for the Future,” here.
